One thing canceled, one thing on hiatus, new (commercial) games in progress

Hey folks, I know I’ve mentioned in the past that I will be releasing a sci-fi story collection called “Other Orbits.” I’ve decided not to do that anymore!

Other Orbits would have been an art overhaul of my already-released story The Hive Abroad, paired with two other stories that were new when I planned this collection: Redundant, and an unreleased story called The Long Slide, about a woman who is dying slowly from damage caused by the nanobots designed to keep her alive.

Anyway, two out of the three of these are now released. And I’m not really interested in finishing edits and polish on The Long Slide, partially because it’s just dark and miserable in a really unproductive way and represents the worst parts of my feelings about my own health issues. I think I’ll eventually replace The Hive Abroad with the new, art-updated version, but that’s it. Other Orbits is toast. Sorry! Nothing lost, really, though. Redundant is real good and you should play it!

I’ve got some other news which is a little more upsetting to me, though: Six Months is basically on hiatus for the first half of 2017.

The reason? I am doing too many other things. I wanted Six Months to be a proof of my writing and narrative design ability– I mean, I wanted to tell a good story, but I also wanted to create an amazing proof of skill. I wanted Six Months to be my resume, and I wanted it to be big and bold enough to cover up all those years when I was working on cancelled and failed games. But it’s been, like, three years now, and people are offering to pay me to make faster things which will be equally as good a proof of my skills, so– yeah. Six Months is going on the back burner while I get that stuff done.

I have every intention of finishing Six Months, because it’s kickass and I think people will buy it. Problem is, it’s literally novel-length. I just gotta ship my other stuff and wave it around in people’s faces and say “LOOK AT ME,  LOOK AT MY ‘SKILL SET,’ I’M GREAT!” And in the process I’m gonna learn Unity, which is going to make shipping Six Months even easier.

Anyway, here’s the stuff I’ve worked on/am working on right now, both in and out of games:

  • I wrote for Frog Fractions 2, and the stuff I wrote is hilarious, so when that comes out I’m gonna wave it hard as hell in your faces
  • I wrote for Where the Water Tastes Like Wine, which is also super cool. Beautiful weird stuff going on in that game! I’m very excited for people to someday see it.
  • I am doing story consulting and writing for a AAA game being developed in the LA area! But that’s a secret still.
  • I am going to be doing some amount of story consulting for an additional indie game!
  • My friend Nate Ruegger and I are writing a screenplay version of Redundant! We finished the first draft extremely fast and I am incredibly stoked about it. This will be the first thing I finish in 2017. It turns out that when two people who are eager to impress one another write a screenplay together, shit gets done! Fast!!
  • My friends Kent Sutherland and Brody Brooks and I are working on a new version of Words Must Die! We are making a whole new game with a slightly different linking mechanic and a whole lot more polish. We’re gonna sell it for money.

And I’m also working my day job! For years I’ve been working on side projects all night long after getting home from work, but the hours don’t match up in a way that leaves space for Six Months anymore.

And, to be honest, I have not worked on it in a month. It’s better to recognize that and make a plan to put it down (and take it back up again, eventually) so that I don’t wear myself out worrying about the fact I’m not working on it!

About story consulting: at my old job I worked with a creative partner who taught me a very specific iterative story-pitch process that I’ve now started using elsewhere. It’s good for early-stage story planning stuff and it’s great at helping non-writer team members understand the process and the possibilities involved in coming up with a story for their game. It’s also good for helping the writer understand exactly what the other parties’ critiques are about. I hope I get to use it at more places in the future because I like this process a lot and it’s produced really great results every time I use it!

Anyway, no fear: you will eventually be able to help a sweaty sad duke investigate his dead brother’s horrific grenade murder. Just not yet.


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